Review of the Movie "Free Men"


I know this will date me, but watching “Free Men” sent me back to a black-and-white TV program of the 1960s, The Outer Limits. Each episode opened with a test pattern and some eerie music. “There is nothing wrong with your television set. Do not attempt to adjust the picture,” a menacing voice would announce.


“Free Men” is an effort to adjust our picture of the French Resistance during the Second World War to include the activities of North African Muslims who resisted the Nazis and rescued Jews. This is no small matter. Until fairly recently, the standard picture was completely FRENCH. Foreigners were left out, although early Resistance groups in occupied Paris and the Vichy zone contained large numbers of persecuted refugees from other parts of Europe, including Communists and Jews.


As for the many Arab and Berber migrants from France’s North African colonies who had come to the mainland seeking work in the 1920s and 30s, they might as well have been invisible. Yet they had their own mosque, the Great Mosque of Paris, built to commemorate the 100,000 Muslim soldiers who died defending France in World War I. Si Kaddour Ben Ghabrit, the Great Mosque’s rector, is known to have saved the lives of a number of Jews, among them the Algerian-Jewish singer Salim Halali, by issuing them certificates of Muslim identity, which enabled them to escape deportation.


The story deserves to be told, and the Moroccan-French director Ismaël Ferroukhi tells it well. Younes, the young Algerian drifter who joins the Resistance somewhat against his will, is a hero by the end of the film. He helps save Halali, among others. We see him making his way through the crowd on Liberation Day, a battered hero, sadder and wiser. Unfortunately, that’s where the film ends.


Despite their sacrifices for France and the promises of independence given by Charles de Gaulle in recognition of their loyalty, Algerians did not attain their independence until 1962, after a long and bloody war. Younes and the film’s other idealistic North African characters would become casualties of this war. Some would be arrested by the French as potential terrorists, or massacred in the streets of Paris when they attempted to stage a peaceful demonstration on October 17, 1961. Others would be seen as too moderate by radical Algerian nationalists and killed by their own side.


“Free Men” makes a place for North Africans in the heroic pantheon, but the picture it presents is still in black-and-white and out of focus. The real story of the role Algerians and Algeria played in French history, including the Second World War, was not about heroism. It was about betrayal. Sadly, not much has changed.


Lisa Lieberman's translation of Jean-Paul Sartre's essay, "Paris Under the Occupation" can be purchased for $1.99 through Amazon Kindle Books, Apple Bookstore Quick Reads, Barnes and NobleNook Books and Google Books. Lost Belongings, her current nonfiction project, tells how Holocaust survivors coped with irretrievable loss.


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